Type is everywhere in user interfaces but meaning is usually carried in the words themselves, or to a lesser extent, using colour to signal error or unavailability. If we accept that type is a necessary part of interfaces, could we use it to be more expressive?
In this three-week module, students explored providing nuanced, non-symbolic feedback through the use of variable typefaces.
In the course Interactivity, students purposefully do not create concepts or solve problems, they are engaged with pure experimentation and building knowledge through design. A large quantity of sketches are produced, here we draw out a handful.
These sketches use type to indicate that an element can be swiped from left to right. The expression suggests that each element demands a different kind of swipe gesture.z
These sketches show type being modulated by physical objects. Using simple computer vision, the sketches respond to movement by brightly coloured objects.
Experiments in type reacting to music.
Exploring feedback of temporal events. In this case, suggesting whether one should hurry or not to catch a bus. In the sketch, the horizontal movement of the cursor controls the ‘urgency’.
An expressive typewriter embodies the characteristics of typing in the text it leaves behind. In this sketch, the per-letter speed of typing is used to modulate the font.
Text is arranged and subtly modulated according to distance and direction of landmarks creating a dynamic typographical map.
Two sketches here demonstrate some of the explorations of time. The first shows how a calendar might visually show the ‘heaviness’ of appointments for each date. The second second shows a wayfinding cue suggesting to a festival goer the direction and activity of a stage.